Geordi, man, you got to corral those players. They’re not even staying in character! I know you’ve got pages and pages of notes on this setting already, but try to start with the key concepts maybe.
But, yes, seriously, what is with that comet in the opening title sequence of Deep Space Nine? Why is the first thing we see a comet about which nothing is, as far as I can recall, ever said? It’s not a plot comet or anything; it’s just a random bit of stellar flotsam, the sort of minor phenomena that Enterprise or Voyager or Enterprise Bakula Edition might chase down and scan but which DS9 would at best grab some long distance pix of if it was a slow day in the astrometrics lab.
Maybe it’s a metaphor? Like for the way Deep Space Nine embraces a degree of momentum, of continuing arc, which contrasts with the more episodic structure of the preceding Next Generation? Not that a comet drifting in a straight line is really a good non-trivial example of an arc. Plodding along in a dull straightforward path is kind of an unflattering self-assessment.
But then, oh, there could be gravity wells? Suns, planets, spatial anomalies? The perturbation of its path by stellar masses seen and unseen? I suppose that’s a good example of how an arc can come from nowhere, a twist in the road, an unintended shift in one’s path so that one ends up treading into strange territory even as one tries to presses ever forward and onward? Is this metaphor shaping up? I feel like we’re reaching here. Feeling like the ol’ grasp is being exceeded.
Another thing that I suspect: somewhere on a datapad (yes, yes, they’re called PADDs in the Star Trek universe, shut up), Geordi has written down lyrics to a song about Deep Space Nine. Maybe those’ll slip out at some point. Maybe just.